There’s no witty banter thrown around the platoon, they don’t swap one liners or excited chatter there’s only despair. The Line’s battles are unremarkable, but are also completely unglamorous. I’m not selling this game like you thought I would, am I? They’re sturdy and reliable, moving up on their own, able to pick each other up if downed, and add a solid layer of depth to what’s mostly a progression of unremarkable firefights. It possesses a surprisingly robust team command system, which can ask your platoon to focus on particular enemies, letting them do things like counter-snipe far off targets, or lob grenades into fortified gun embankments. The constant gunfights you find yourself mired in often amount to finding a good place to hole up, and sniping away at the enemy ranks until they’re all dead. Mechanically, The Line is best described as a mediocre Third-Person cover-based shooter. Then the locals emerge from the sand they’re armed, and you’re presented with a choice to gun down the people you’re supposed to be saving, or to die. Though it’s easy to dismiss the city as lifeless, they find what seems to be a distress beacon.
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They walk through what used to be a road, cars buried in sand up to their windows and the corpses of their former owners rotting in the sun. It’s Walker’s job to lead his small recon team into the razed guts of the town and provide a report of what he finds. Though commanded to evacuate and leave it to its fate, a battalion of American soldiers chose instead to ignore their orders, and stay put, trying to save as many lives as they’re able. Spec Ops The Line is the tale of Captain Martin Walker, and how he lost his mind.ĭubai is the world’s largest and most luxurious gravesite, victim of an epic sandstorm that’s effortlessly swallowed the entire city and everyone living there. However, I’m not an idiot, and I’m fully aware that this isn’t going to happen, so I’ll leap in gingerly. I won’t promise you’ll enjoy your time spent playing, but I can promise you’ll be interested in seeing it through to the conclusion. If you could trust me just this once, I’d like you to stop reading right here and do as I say. The bottom line is the more I talk about what I find so profound about The Line, the more you’ll see coming, and I’m genuinely afraid of lessening the impact this title is likely to make to your unsuspecting mind.
In a perfect world, I’d like you to just take my word for it, go buy this and find out for yourself. So, why is it I’m so desperate to promote this game? I can’t really tell you. Here’s the real kicker: though I really want you to play this particular title, I’m still not completely sure just how much I enjoyed it.
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As a critic, this mindset doesn’t pop up as often as you might think we may often want to impress upon you how good or bad a game is, and we’ll take some professional pride in how well we may be able to translate this, but it’s not like we’ll personally decide to champion every title we find ourselves enjoying.
I’m going to let you in on the predicament I’ve gotten myself into: I really want you to play Spec Ops: The Line.
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